WORKS ARCHIVE


Study No. 2

for Piano 

1977 

dur: 4' 

first performance: Chichester, 1977 


Epitaph

"Rose, oh pure contradiction, delight in being no one's sleep under so many lids" - R. M. Rilke

for Solo Flute 

1977 

dur: 4'   


Synthesis I

for 2 Pianos, Percussion and Tape 

1977-78 

dur: 10' 

first performance: Chichester College of Further Education, 1978  


Sonata for Percussion

(after 3 Poems by Baudelaire) 

for Percussion Ensemble (2 players) 

1978 

dur: 15'   


Dark of The Moon

for Tape 

dur: 5' 

1978 

first performance: Theatre Royal, Bognor Regis 1978   


Sonnet

piano 

1978 

dur: 4'30" 

first performance: 1978 Chichester   


La Miracle de la Rose

for Piano, Percussion and Tape 

1978 

dur: 16' 

first performance: 1978 Chichester   


Dusk

(after Marc Chagall) 

for Soprano and Piano 

1978-79 

dur: 4'30"   


Autumn Music

piano or harp 

1978-79 

dur: 4'30" 

dedicated to the memory of Anne Lawrence 

first performance: 1979, Spanish Place, London. John Jansson, piano   


Concerto for Flute, Strings and Percussion

1978-79 

dur: 16'   


Trio (personae seperatae)

"Are we the same personages divided by the gaze of another?' from Personae Seperatae by Eugene Montale

for Piano, Violin and Cello 

1980 

dur: 21' 

dedicated to Brian Fogarty 

first performance: The Blue Rider Ensemble, Jackson's Lane, 

Archway Road, London 26th June, 1980   


Mania

for Piano and Multi-Track Tape 

1981 

dur: 6'30" 

In Memory of Jani Christou 

first performance: Trinity College of Music, 1981, Michael Stewart, piano   


Hypnos (sleep)

flexible scoring 

1981 

dur: 3'30" 

first performance: British Music Information Centre, London, 20th October 1981   


Epicycle

5 synthesisers 

1982 

dur: 6'10' 

first performance: Spanish Place, London, 1982   


Hidden Faces

for Piano, Tape, Percussion and Actor 

1982 

dur: 7' 

first performance: Spanish Place, London. Rick Cartmale, perc/actor, 

John Jansson, piano 


Katharsis

for Orchestra 

1983 


Elegy

for alto flute, saxophone and percussion 

1983 

first performance: British Music Information Centre, London, 20th October 1981   


Winter

for Piano 

1996   


Pasiphae

for Solo Flute 

1997   


A Dance to the Music of Time

for Multiple Pianos 

1997   


Chimera

for Virtual Piano 

1997   


The Calling

for Virtual Piano 

1997   


Run

for Virtual Piano 

1997-98   


Event Horizon

for Virtual Orchestra 

1998 

dedicated to Jonathan Lewsey   


Tsui

for Virtual Orchestra 

1998   


Arrow of Time

for Virtual Orchestra 

1998   


Lachesis

"The Hour of the wolf is the hour between night and dawn. It is the hour when most people die, when sleep is deepest, when nightmares are most real. it is the hour when the sleepless are haunted by their greatest dread, when ghosts and demons are most powerful. The hour of the wolf is also the hour when most children are born." Ingmar Bergman

for Piano or Harpsichord 

1998   


Aspire

for Virtual or Multiple pianos 

1998   


Blue Remembered Hills

(incidental music to Denis Potter's play)

for Virtual Ensemble 

1998 

dur: 12' 

first performance: Sterts Arts Centre, Upton Cross, Liskeard, Cornwall, June 1998   


Sailing to Pleiades

for Two Pianos 

1998   


Kepler (Harmonices Mundi)

"Geometry existed before the creation of things, as eternal as the spirit of God; it is God himself and gave him the prototypes for the creation of the world." Johannes Kepler (Harmonices Mundi 1619)

for Two Pianos and Strings 

1998   


TAOS (The Art of Seduction)

for Electronics 

1998 

dedicated to Tamzin Aronowitz   


Kepler (2nd version)

for Two pianos 

1998   


Singing The Ancestors

"By singing the world into existence, he said, the Ancestors had been poets in the original sense of 'poesis', meaning 'creation'. No Aboriginal could conceive that the world was in anyway imperfect' from: The Songlines by Bruce Chatwin

for Virtual Ensemble 

1998 


Singing the Ancestors

(Red Earth Remix) 

1998   


Chant

"Our people , Flynn said , say they recognoze a song by its 'taste' or 'smell' ... by which of course, they mean 'tune'. The tune always stays the same, from the opening bats to the finale'. from: The Songlines by Brice Chatwin

for Strings 

1999   


Dreamtime

"He went on to explain how each totemic ancestor, while travelling through the country, was thought to have scattered a trail of words and musical notes along the line of his footprints, and how the Dreaming-tracks lay over the land as 'ways' of communication between far flung tribes'.from: The Songlines by Brice Chatwin

for Piano, Flutes, Harp, Saxophone and Percussion 

March 1999 

Dedicated to Tamzin Aronowitz   


The Gate

(from the Book of Gates) 

 

see work in progress 

1999-2000   


Lake of Fire

(from the Book of Gates) 

see work in progress 

for Virtual Orchestra 

1999-2000   


Tears of The World

for Virtual Piano 

2002-3 


The Gate of Remembrance

for virtual piano 

September 2003 


Saudades

for Virtual Piano 

2004 - 5 versions 


Nativitas Christi MCMLXXI

Memory: Christmas Morning (1.30am) 1971 - Holy Trinity, Bosham, West Sussex.

Scored for computer- manipulated concrete sounds. 

October 2005 


West Pier

Memory: Late afternoon - Autumn 1968 - West Pier, Brighton, East Sussex.

Scored for computer- manipulated concrete sounds. 

November 2005 


Campanili di San Marco - Venezia 1a

Memory: auto-halucinatory, January 2006

Scored for computer- manipulated concrete sounds. 

January 2006 


Traces

September 2012


Sentinel

2015


In the echoing streets the ghost of you haunts me

Piano

2012


Tilt

Solo piano

2014


Seeping

Solo piano

2015


Work in progress


Sic transit gloria mundi

'So the Glory of this world passes away' 

a television opera 


so fa

video tape   


The Book of Gates

for Mixed Media   


This Dream People Call Human Life

for Mixed Media   


The Precipice

semi-improvisatory piano work 


 

ARRANGEMENTS

  

O Vos Omnes

Carlo Gesualdo 

 

Kyrie (Messe De Notre Dame)

Guillume de Machaut 

 

Rose, Liz, Printemps, Verdure

Guillume de Machaut 

 

Forbidden Colours

Ryuichi Sakamoto 1998   

 

Kudos Kudo

Ryuichi Sakamoto 1999   

 

Street Life

Radiohead 1999  

 

Porcupine Tree

Dark Matter